This "packed from the right" convention is the one found in several guides to pc set analysis, including John Rahn's Basic Atonal Theory and Joseph N. Straus's Introduction to Post-Tonal Theory. Allen Forte's The Structure of Atonal Music, however, favours a true "packed from the left" approach: in the case of overall ties, one looks for the smallest interval between first and second pc, then first and third, and so on, working out to the end.
The conflict is usually discounted as a minor one, since the two approaches mostly produce the same results. For some sets, however, the results differ. Morever, 6 out of the 208 prime forms are affected by these differences. Below is a list of the set classes in question, with their prime forms cited "packed from the right" and "packed to the left."
Forte
name:Prime form
packed from the rightPrime form
packed to the left5-20 (01568) (01378) 6-Z29 (023679) (013689) 6-31 (014579) (013589) 7-z18 (0145679) (0234589) 7-20 (0125679) (0124789) 8-26 (0134578T) (0124579T)
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